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News_Naija

I Didnt Lie Against The Supreme Court

In a recent media outburst, the Minister of the Federal Capital Territory, Mr Nyesom Wike, taunted me for losing a case, which he had won at the Supreme Court. Even though I appear regularly in domestic and regional courts in Africa,  Mr Wike dubbed me “a television lawyer”. I did not join issues with him on that occasion because Wike is the only life bencher in Nigeria who has never handled a case in any trial court or appellate court. Another reason for ignoring Wike’s vituperations is that it is no crime if a lawyer loses a case in any court. In other words, only a corrupt lawyer wins all cases in all courts. A couple of days ago, Wike subjected me to another scurrilous attack in a press conference held in Abuja to showcase the Ministry of the Federal Capital Territory. In the course of the press conference, he veered off and was alleged to have accused me of lying about the defection status of certain legislators during an appearance on Channels TV. While referring to a recent Supreme Court ruling that addressed the issue of defection, stating, “A few days ago, the Supreme Court settled this matter of defection.” He then said, “If someone of Femi Falana’s calibre can go on national television and lie, it is very serious. Lies can cause a lot of crises.” He expressed concern that such misinformation, especially from a respected legal figure, could escalate tensions if not addressed. Specifically, Wike accused me of lying against the Supreme Court over its decision on the defection of 27 members of the Rivers State House of Assembly. Contrary to Wike’s assertion, I did not lie against the Supreme Court in respect of the judgment in question. All I said was that the matter of the defection of the 27 legislators was raised suo motu and determined by the eminent justices of the apex court. My comment was based on the undeniable fact that the vexed issue of the defection of the 27 legislators was pending in the Port Harcourt judicial division of the Federal High Court at the material time. In addition, there are video tapes and a sworn affidavit where the 27 legislators had confirmed their defection from the People’s Democratic Party  to the All Progressive Congress. It is public knowledge that Wike had praised the Supreme Court to high heavens and held a thanksgiving service to celebrate the decision on the defection of the 27 legislators. However, he decided to attack me for commenting on the same judgment without any legal justification. I wish to state, without any fear of contradictions, that my fundamental right to criticise the decisions of courts is guaranteed by Section 39 of the Constitution of the Federal Republic of Nigeria 1999 as amended and article 9 of the African Charter on Human and Peoples Rights. I would have ignored the minister’s latest gratuitous attack but for the fact that he had recently called on the Body of Benchers to discipline lawyers who had the temerity to criticise the judgments of Nigerian courts. However, unlike Wike, who calls judges names whenever they disagree with his politics of opportunism, I have always criticised the judgments of domestic and regional courts with the utmost decorum and in good faith. While Wike believes that it is a professional anomaly to criticise the decisions of Judges, the Supreme Court of Nigeria has always welcomed the criticism and review of its judgments because the justices believe that they are prone to make mistakes like all mortals. It is undoubtedly clear that Wike is not familiar with the case of Adegoke Motors Limited v Dr Babatunde Adesanya 2 1989 3 NWLR (Pt 109) 250 at 274, where Oputa JSC of blessed memory said,  “We are final not because we are infallible; rather we are infallible because we are final.” About five years ago, the then Chief Justice of Nigeria, Justice Ibrahim Tanko Muhammad, said to lawyers, “As critical stakeholders in the task of justice delivery, you have the responsibility of drawing our attention to where things are going wrong or on the verge of going wrong.”  Justice Muhammad further stated that it would not be out of place for lawyers to subject justices in the country to criticism where necessary as a step to ensuring improvement in the justice delivery system. From time to time, many respected justices commend my criticism of the judgments of courts and the defence of the judiciary. It is on record that at a recent valedictory service held in Abuja, a retiring justice of the Supreme Court referred to one of my critical comments pertaining to the Nigerian Judiciary. In the light of the foregoing, Wike deliberately set out to incite the Supreme Court against me as the allegation levelled against me by him is spurious and tendentious in every material particular. Since he has become the unsolicited defender of the judiciary, I challenge him to report me to the Legal Practitioners Disciplinary Committee for professional misconduct. No doubt, the decision of the Supreme Court is final on defection of legislators from the political party that sponsored them to another political party. In their wisdom, their lordships said that defection can only be proved with the production of the register of members of political parties. My fear is that this decision will be waived by unpatriotic politicians to justify political prostitution in Nigeria. In the interest of political stability and national morality, I have respectively called on the Supreme Court to continue to rely on the cases of the Attorney-General of the Federation 𝐯. Abubakar (2007) 10 NWLR (PT.1041) 1 at 178, Dapialong v Dariye (2007) 8 NWLR (Pt 1036) 332 and Abegunde 𝐯. Ondo State House of Assembly & Ors (2015) LPELR-24588(SC), where it had been held that the consequence of a defection by a legislator is the automatic loss of his or her seat in the legislative house.

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9jamusic

10 Hottest Afrobeats Songs You Need On Your Playlist This Week

Davido – 5IVE album Afrobeats Heat: 10 Tracks Setting the Vibe Right Now If you’re an Afrobeats lover, you already know – the genre never sleeps! Each week brings a fresh wave of captivating tracks, ensuring our playlists remain vibrant and our sound systems resonate with dynamic beats. From electrifying club anthems to soulful, deeply moving melodies, Afrobeats artists consistently innovate, seamlessly merging the rich tapestry of African rhythms with global sonic influences. This week, we’ve curated a selection of 10 standout tracks that are currently dominating the charts, igniting dance floors, and perfectly capturing the current Afrobeats realm. Whether your aim is to amplify the party atmosphere, create a relaxing ambiance, or simply stay abreast of the latest trends, these songs promise to deliver an invigorating surge of energy. Read on as you plug in, turn up the volume, and let’s dive into the hottest Afrobeats tracks you need right now! Contents Toggle Afrobeats Heat: 10 Tracks Setting the Vibe Right NowDavido – Be There StillWizard Chan ft. ODUMODUBLVCK – FlakoRuger – ToroAsake – WHY LOVEShallipopi – LahoKunmie – ArikeRema – Baby (Is It A Crime)Seyi Vibez – SHAOLINODUMODUBLVCK & Victony – PITY THIS BOYFamous Pluto – Na Scra Davido – Be There Still Kicking off this week’s must-have Afrobeats playlist is Be There Still by Davido, a standout track from his highly anticipated album 5IVE. Davido never misses when it comes to delivering high-energy hits, and this song is no different. With its infectious beat, smooth melodies, and heartfelt lyrics, Be There Still is the kind of track that instantly elevates your playlist. Blending contemporary Afrobeats with rich, melodic elements, this song captures Davido’s signature sound while bringing a fresh and captivating vibe. Whether you’re looking for a song to cruise to, vibe with, or simply lose yourself in, Be There Still checks all the boxes. If you’re updating your playlist this week, this one is a no-brainer – turn it up and let Davido set the tone! Wizard Chan ft. ODUMODUBLVCK – Flako Next up on this week’s Afrobeats playlist is Flako, a high-energy collaboration between the ever-creative Wizard Chan and the electrifying Odumodublvck. Known for his deep, soulful sound and unique storytelling, Wizard Chan once again delivers a mesmerizing track, while Odumodublvck’s signature style injects raw energy and grit, making Flako an undeniable banger. This track is the perfect blend of compelling lyrics, infectious rhythms, and dynamic delivery. The chemistry between these two artists shines through, creating a song that doesn’t just sound good – it feels like an experience. Whether you’re in the mood to vibe, turn up, or just soak in some elite musical craftsmanship, Flako is a must-have on your playlist this week. Hit play, turn up the volume, and let Flako take over your speakers! Ruger – Toro Keeping the energy high on this week’s playlist is Toro by Ruger, a fiery new single delivered through A Colors Show. The Blown Boy Entertainment boss is known for blending Afrobeats with Dancehall influences, and Toro is yet another masterclass in his signature sound. From the moment the beat drops, Toro pulls you in with its infectious rhythm, smooth melodies, and Ruger’s unmistakable vocal delivery. His storytelling shines through, adding depth to a track that’s equal parts energetic and hypnotic. Whether you’re a longtime fan or just getting into Ruger’s music, this song is guaranteed to have you vibing. If you’re looking for a fresh, high-energy anthem to spice up your playlist, Toro is the one – press play and let the rhythm take over! Asake – WHY LOVE No Afrobeats playlist is complete without a track from Mr. Money himself, and this week, Why Love by Asake is a must-add. Fresh off the success of his chart-topping album Lungu Boy, Asake delivers yet another captivating record, blending his signature Amapiano-infused Afrobeats sound with deep, heartfelt lyrics. Why Love is the perfect mix of infectious energy and raw emotion, wrapped in Asake’s distinct vocal delivery, the track has already sparked massive buzz, with fans praising its smooth yet powerful vibe, not to mention the eye-catching visuals featuring a striking model. Whether you’re an Asake stan or just someone who appreciates elite Afrobeats bangers, Why Love is guaranteed to stay on repeat. Add it to your playlist now and let Mr. Money set the mood! Shallipopi – Laho Taking the playlist to the streets, Laho by Shallipopi is the viral anthem you need this week! The Nigerian street-pop sensation has once again proven why he’s one of the hottest names in the game, dropping a track that’s been dominating TikTok and setting social media on fire. With its infectious rhythm, catchy lyrics, and Shallipopi’s signature swagger, Laho is built for non-stop vibes. Whether you’re turning up with friends or just need a high-energy boost, this track delivers the perfect blend of street vibes and pure entertainment. If you haven’t already jumped on the Laho wave, now’s the time – add it to your playlist and let the groove take over! Kunmie – Arike Bringing a fresh wave of soul and energy to this week’s playlist is Arike by rising star Kunmie. The music world is already buzzing about this captivating track, and for good reason – Kunmie’s artistry shines through in every note, making Arike an unforgettable listening experience. With its soulful melodies, heartfelt lyrics, and infectious energy, Arike is a song that instantly pulls you in. Whether you’re a longtime Afrobeats fan or just discovering Kunmie’s sound, this track is bound to leave a lasting impression. If you’re curating the perfect playlist this week, make sure Arike has a top spot – it’s a must-listen! Rema – Baby (Is It A Crime) Rema is back with another smooth and enchanting record, Baby (Is It A Crime), and it’s a must-have on this week’s playlist. Known for his effortless blend of Afrobeats and contemporary sounds, Rema once again proves why he’s one of the most exciting artists in the game. This track is pure vibes – sultry melodies, heartfelt lyrics, and Rema’s signature hypnotic flow all come together to create an irresistible sound. Whether you’re in the mood to chill, vibe, or get lost in the music, Baby (Is It A Crime) sets the perfect tone. If you’re updating your playlist with the hottest tracks this week, make sure this one is at the top – it’s Rema season, and he never misses! Seyi Vibez – SHAOLIN Seyi Vibez is back with another powerful anthem, and this time, he’s bringing the heat with SHAOLIN. As a standout track from his newly released EP, Children of Africa, this high-energy banger blends street-hop vibes with deep cultural influences, delivering exactly what fans love about Seyi’s sound. With its hypnotic beats, introspective lyricism, and Seyi Vibez’s signature melodic delivery, SHAOLIN is built for both deep listening and pure vibes. Whether you’re turning up or just need a song that hits different, this track is guaranteed to have you hooked. Don’t miss out on one of the hottest drops of the week – add SHAOLIN to your playlist now and let the energy take over! ODUMODUBLVCK & Victony – PITY THIS BOY Odumodublvck is back with another bold and unfiltered track, Pity This Boy, proving once again why he’s one of the most dynamic forces in Nigerian rap. This time, he teams up with the incredibly talented Victony, whose smooth and melodic vocals add a striking contrast to Odumodublvck’s raw and energetic delivery. This track isn’t just a song – it’s an experience. With razor-sharp lyricism, hard-hitting beats, and a fusion of hip-hop, Afrobeats, and alternative sounds, Pity This Boy showcases the depth and artistry of both artists. Whether you’re a rap enthusiast or just looking for a track that stands out, Pity This Boy is a must-add to your playlist this week. Don’t just listen – feel the energy! Famous Pluto – Na Scra Rising star Famous Pluto is making waves with his debut single, Na Scra, proving that talent runs deep in the family. As Shallipopi’s younger brother, he steps into the spotlight with a track that blends catchy street vibes, energetic flows, and infectious melodies – setting the tone for what’s to come in his career. Since its release, Na Scra has been gaining momentum, and it’s clear that Famous Pluto is here to make his mark. Whether you’re a fan of street-hop bangers or just looking for fresh sounds to vibe to, this track is a perfect addition to your playlist. Keep an eye on this rising star, and in the meantime, hit play on Na Scra – you won’t regret it! Read More: Afro Queens: 9 Women Redefining African Music Across East, South, and West Tags: AfrobeatsAsakeDavidoFamous PlutoKunmieODUMODUBLVCKRemaRugerSeyi VibezShallipopiVictonyWizard Chan

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Worldnews

White And Black Farmers Still Bear The Scars Of Zimbabwes Land Grabs

How mishandling of land reform evicted many white farmers, ‘enriched elites’ and left Black Zimbabweans in poverty. Harare, Zimbabwe – Guy Watson-Smith felt hurt and betrayed when his 5,000-hectare (12,355-acre) farm in Beatrice, in Zimbabwe’s Mashonaland East province, was violently invaded by three armed men in the early 2000s. The then-51-year-old white commercial farmer was not just losing his land; he was leaving behind hundreds of workers and their families, many of whom he had known since childhood. “We cried,” the 75-year-old told Al Jazeera. On the morning of September 18, 2001, Watson-Smith, his two farm managers, and his unwelcome visitors sat at a table on the patio. Watson-Smith’s wife, Vicky, offered them a cup of tea. But the message was simple: leave or die. His family was given two hours to pack. They fled to the capital, Harare, 54km (33.5 miles) away, seeking refuge at his father-in-law’s home in the Avenues, an inner-city suburb. Watson-Smith’s ordeal was not an isolated incident. Across the country, war veterans armed with pistols led similar land grabs, together with their children and with assistance from the police’s elite units. The invasions were part of the chaotic Fast Track Land Reform Program (FTLRP), launched under President Robert Mugabe in 2000 to reclaim land from about 4,000 white farmers and redistribute it to landless Black Zimbabweans. But instead of redressing past injustices, Zimbabweans say it fuelled economic and land insecurity as mainly governing party loyalists benefitted from the reclamations. More than two decades on, a struggling agricultural sector haunts Zimbabwe, leaving the question of land ownership unresolved, even as the government has begun to pay compensation to white farmers. When land was seized from white farmers in the early 2000s, it was forcibly and sometimes violently taken, with at least seven people killed in the process. However, Zimbabwe’s land struggles did not begin with Mugabe’s FTLRP or even the country’s independence in 1980. The tensions stretch back over a century to the arrival of white British settlers in 1890. When the British arrived, they invaded Mashonaland areas and took mining rights from the locals under agreements that the local leadership did not understand. They then expanded control, violently displacing Black people from their fertile ancestral lands. Forced into barren areas with poor soil, low rainfall and tsetse flies, Black Zimbabweans struggled to farm or raise cattle. By the 1950s, land was formally divided along racial lines, with white settlers holding the most fertile areas. This deep injustice fuelled the liberation struggle. Revolutionary groups like ZANU and ZAPU took up arms, and from 1964 to 1979, land was at the heart of the Rhodesian Bush War – also known as the Second Chimurenga, during which Black Zimbabweans fought for independence from the white minority government. The 1969 Land Tenure Act, which escalated Black land evictions, was a breaking point. For many fighters, reclaiming the land became not just about survival, but about identity and economic freedom. The war ended with the Lancaster House Agreement drawn up and signed in London in December 1979, setting the stage for Zimbabwe’s first democratic elections. On April 18, 1980, after Mugabe’s victory, Zimbabwe gained independence from Britain. The Lancaster agreement barred Mugabe’s government from forcibly seizing land, allowing only voluntary transfers under a “willing buyer, willing seller” system from 1980 to 1990. Many war veterans felt betrayed. They had fought for liberation, expecting immediate land redistribution, but years of slow negotiations left them frustrated. From 1990 to 2000, land reclamations took place by the government compulsorily buying land from white commercial farmers using funds from donors, including Britain. However, the process became politicised as some senior politicians and elites redistributed land among themselves instead of to the poor. Some of the funds were allegedly loaned to ruling ZANU-PF party loyalists and not used for the intended purposes of land redistribution. This raised accusations of corruption, causing some donors to cut funding. Britain, which had initially committed 20 million pounds ($26.6m at the current rate) to fund the land reform programme, withdrew support in 1997. The United Kingdom said it could no longer accept responsibility for colonial injustices and would not fund a programme plagued by corruption and elite capture. Donor funding helped the Zimbabwean government buy land from white commercial farmers, enabling about 50,000 Black farmers to receive land. But the programme was ultimately underfunded and fell far short of the targeted 8 million hectares (19.8 million acres). In February 2000, under mounting pressure from furious war veterans, Mugabe attempted to amend the constitution to allow land seizures without compensation. When the referendum failed, the war veterans and their families took matters into their own hands by invading farms. Soon, Mugabe officially followed suit by launching the FTLRP. At that time, the minority white population, which made up about 4 percent of the country, owned more than half the land in Zimbabwe. For months, Watson-Smith’s land, where he grew tobacco, maize, paprika, groundnuts and Rhodes seed for export, remained untouched until the day a powerful war hero with the ZANU-PF set his sights on it. Watson-Smith was in Harare, where he worked as the Mashonaland East provincial chairman of the Commercial Farmers Union, a body representing white commercial farmers, when he learned that his farm had been invaded by retired General Solomon Mujuru, a former commander of the Zimbabwe Defence Forces and top ZANU-PF figure in the province. Efforts to move their assets like tractors and vehicles went in vain, Watson-Smith said, as the invaders allowed only his wife to take their personal belongings, like photographs and furniture, from the house before leaving. Even the courts offered little protection. Though Watson-Smith won a High Court ruling to reclaim his assets, Mujuru’s thugs chased away the sheriff sent to enforce the order. Watson-Smith and his family were lucky to escape their farm unharmed. But they were still afraid. On December 21, 2001, they fled through the Beitbridge border post to South Africa, later moving to France to start a new life. Before the farm invasions, Zimbabwe produced enough to feed itself and for exports to Southern Africa and Europe. Agriculture was the backbone of the economy, employing much of the country’s workforce. Some Black Zimbabweans had also risen to the top, managing farms. Initially, Mugabe’s land expropriation programme was meant to redistribute land to disadvantaged Black Zimbabweans to boost equity and agricultural development. But under the cover of correcting colonial injustices, powerful officials seized productive farms from both white and Black farmers. Kondozi Estates in eastern Zimbabwe was one of the farms seized by senior ZANU-PF figures in 2004. The land in Manicaland province was co-owned by Black Zimbabwean Edwin Moyo and the white de Klerk family. At the time, it was a vital exporter of fresh produce, particularly high-quality beans, gooseberries, corn, mangetout and sugar snaps to European retailers like Tesco and Sainsbury’s. It employed hundreds in Mutare, and its destruction was a death blow to the local economy. The same pattern repeated itself on other farms, locals say, with Black owners without strong ties to the ZANU-PF continuing to face evictions. In 2021, human rights defender and lawyer Siphosami Malunga lost his farm to ZANU-PF secretary-general Obert Mpofu. Though Zimbabwe’s lower courts later ruled in his favour and he is back on his farm awaiting a High Court decision, the battle over its ownership rages on. “Land reform was necessary,” 53-year-old Malunga told Al Jazeera. “The colonial project dispossessed Blacks, pushing them on to barren land while whites took the best farms. But the way reform was handled enriched the elite while leaving ordinary Zimbabweans with nothing.” Mugabe once campaigned for a “one man, one farm” policy. Yet his allies ignored it. Even his wife, Grace Mugabe, amassed at least 15 farms. Most of the beneficiaries of the FTLRP were ZANU-PF loyalists, experts note. Rejoice Ngwenya, a political analyst based in Harare, said Mugabe’s land reform was not about Black empowerment. “It had motives: firstly, to pacify war veterans that were agitating for more recognition; secondly, to punish white commercial farmers who were supporting the opposition. The man was insecure,” he told Al Jazeera. “If you promise to not expropriate Black-owned farms, you should not touch Moyo or Malunga’s farms. But ZANU-PF does not care,” he remarked. Vivid Gwede, another Harare-based political analyst, said land ownership has been used as a tool to punish disloyalty or reward loyalty to the governing party. “On account of politics, some Black farmers have had their land invaded,” he said. Unlike white commercial farmers who spent decades learning the land, most of the ZANU-PF-aligned farmers who took over had no farming experience. The new owners were people who had spent most of their lives in the bush fighting against white colonialists, experts note, while many Black farm workers who had experience managing white-owned farms did not benefit from land reclamations. As a result of the chaotic and violent invasions, knowledge of agricultural practices was also not passed on. Soon, the Southern African nation with a once-thriving agricultural economy began to face a food crisis, later compounded by climate change. For years, many Zimbabweans have depended on food aid from donors like the United Nations World Food Programme. In April 2024, the government declared a national disaster as a severe El Nino-induced drought left more than half of Zimbabwe’s 15.1 million people facing hunger. The crisis exposed the country’s collapsed agricultural sector. Before land seizures, white commercial farmers and Black farmers like Moyo had irrigation schemes to mitigate droughts. ZANU-PF dismantled these systems, leaving the country vulnerable. Zimbabwe’s collapse in agricultural productivity stems not just from poor planning, but from a deeper culture of impunity, experts say. Across the country, though court orders were issued to stop farm invasions and evictions of white commercial farmers, these were ignored. Since 2000, former farmers have filed hundreds of legal cases, trying to reclaim their assets, with little success. The 2013 constitution promised compensation, but only for farm improvements, not the land itself. When Emmerson Mnangagwa took power in a 2017 military coup, he inherited a shattered economy, abandoned and poorly managed farms, food shortages, and soaring unemployment. Desperate for solutions, he reached a $3.5bn compensation deal with white farmers in 2020, hoping to mend relations with the West and lift US economic sanctions imposed in 2001. But the plan stalled. In October 2024, the government set aside $20m to compensate a handful of foreign white farmers from Denmark, Switzerland, the Netherlands and Germany whose investments were affected by the land reform programme. This month, Finance Minister Mthuli Ncube announced that the government had paid $3.1m to white former farmers who lost land during Zimbabwe’s land reform. However, the Compensation Steering Committee (CSC), a domestic body representing white farmers, criticised the compensation as a token gesture and rejected the deal, saying it wants negotiations instead. “We’re willing to talk, but they [the government] are not talking to us,” Ian McKersie, chairman of the CSC told Al Jazeera. In response, Nick Mangwana, permanent secretary in Zimbabwe’s Ministry of Information, told Al Jazeera there are “factions” among the white farmers. “If they speak, they are speaking for themselves, they do not represent the mainstream,” he said. “It is preposterous [to reject the deal]. It does not make sense.” Mangwana also denied that there are ongoing land seizures, such as the case of Malunga, whose farm was taken in 2021. “These are just disputes … It is not a land invasion. There is no land invasion in Zimbabwe,” he said. Now in France, Watson-Smith runs a real estate business. But back in Zimbabwe, his once-productive Alamein Farm has fallen into disuse; its land is now less vibrant than it used to be. After General Mujuru, who was one of Zimbabwe’s most feared men, seized Watson-Smith’s farm, he turned it into a hunting ground. Following Mujuru’s death in 2011, his wife, former Vice President Joice Mujuru, kept the land but struggled to maintain it. Meanwhile, Kondozi Estates, the major part-Black owned farm taken by ZANU-PF elites, also fell into decay. A visit this year revealed abandoned equipment and overgrown fields. Across the country, seized farms remain untended. During the land reform, farmers were given long-term leases. But banks refused to recognise these leases as collateral, making it impossible for farmers to secure loans. In late 2024, President Mnangagwa ordered the Ministry of Lands to stop issuing permits and leases in favour of title deeds. But experts warn this is problematic as it does not address the land dispute between resettled farmers and dispossessed white commercial farmers. “If the government issues title deeds on land already under existing historic title deeds, it’s unlawful,” Willie Spies, a lawyer assisting dispossessed Zimbabweans, told Al Jazeera “A legitimate process requires compensating former farmers fairly before transferring ownership.” New farmers have already benefitted from state subsidies, including a 2007 mechanisation programme that distributed tractors and harvesters without repayment. Zimbabwe’s debt now stands at $21bn, according to the World Bank – $13bn owed to international creditors and $8bn in domestic debt. Some of the domestic debt is a result of the agricultural subsidies, which ended up benefitting political elites and not the poor rural farmers. Corruption runs deep, said Malunga, who is still awaiting a final court decision about ownership of his farm. “Agricultural subsidy programmes were hijacked by the elite, enabling grand corruption and theft of billions,” he said. While title deeds could offer land security to the new farm owners, he warned: “This risks creating a privileged Black landowning class.” Watson-Smith notes that although title deeds helped farmers like him by “open[ing] the doors to credit for irrigation, dams and every farm improvement”, giving title deeds to new farm owners without addressing past injustices is meaningless. “It might impress Zimbabwean banks, but international lenders won’t recognise stolen property,” he said. Once the backbone of Zimbabwe’s economy, agriculture is now crippled by corruption, mismanagement and political greed, farmers say. Meanwhile, the scars of the land grabs remain, both for displaced former farmers and a nation still grappling with the fallout. As many white farmers live in self-exile abroad, many common Black farmers are in limbo, facing off against senior politicians in the battle for land ownership. For now, Malunga is back on his farm, growing tomatoes and other crops. But he remains unsettled. “Pending the decision of the High Court, we are in occupation,” he said, knowing his future is uncertain until the judge decides. Follow Al Jazeera English:...

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9jamusic

15 Lit Afrobeats Tracks You Need On Your Playlist This Week

Zlatan ft. FOLA – Get Better Vibe Check: Your Ultimate Afrobeats Playlist – 15 Songs You Need Right Now Afrobeats continues to dominate the global music scene with its infectious rhythms, smooth melodies, and vibrant energy. Whether you’re looking for fresh bangers, chart-topping hits, or underrated gems, we’ve got you covered! This week’s selection features a mix of high-energy anthems, groovy mid-tempo vibes, and deep, soulful tunes from some of the biggest names in Afrobeats. From dope releases by Asake, Iyanya, and Seyi Vibez to rising stars like Kunmie, FOLA, and Wizard Chan making waves, these tracks are guaranteed to keep your playlist. Read on and get ready to vibe as we dive into 15 must-have Afrobeats songs for your playlist this week! Contents Toggle Vibe Check: Your Ultimate Afrobeats Playlist – 15 Songs You Need Right NowGet Better by Zlatan & FOLAToro (A Colors Show) by RugerYebo! by IyanyaFOR YOU by KhaidGood Vibes by Didi B & ZinoleeskyHey Jago by Poco Lee, Shoday & Rahman JagoI No Be God by LadipoeFlako by Wizard Chan ft. ODUMODUBLVCKNEVER LET YOU GO by Steel Banglez, AP Dhillon & Omah LayNa Scra by Famous PlutoArike by KunmieWHY LOVE by AsakeSHAOLIN  by Seyi VibezLaho by ShallipopiW For Wetego by Blaqbonez ft. Young Jonn & Phyno Get Better by Zlatan & FOLA Kicking off this week’s playlist is Zlatan and FOLA’s motivational banger, Get Better. Nigerian rap heavyweight Zlatan makes a triumphant return, teaming up with rising star Fola for an uplifting anthem that blends infectious beats with inspiring lyrics. Produced by Chechdaproducer, the track carries Zlatan’s signature high-energy delivery, fused seamlessly with Fola’s fresh and dynamic style. The result? A powerful message of perseverance and progress, set against a beat that keeps listeners hooked from start to finish. As Zlatan’s first release of 2025, Get Better reaffirms his status as one of Nigeria’s most consistent and influential artists. Known for his ability to merge Afrobeats, street-hop, and motivational themes, he continues to evolve, proving why fans keep coming back for more. This track isn’t just music – it’s a motivational soundtrack for 2025! If you’re looking for an anthem of resilience and success, Get Better deserves a top spot on your playlist this week. Toro (A Colors Show) by Ruger Next up on this week’s playlist is Ruger’s electrifying new single, Toro (A Colors Show). The Blown Boy Entertainment CEO is back with a vibrant, high-energy track that perfectly blends his signature Afrobeats and Dancehall influences. Recorded as part of the renowned A Colors Show, Toro is a mesmerizing performance that highlights Ruger’s vocal strength, storytelling prowess, and undeniable charisma. The track features infectious melodies, rhythmic beats, and an immersive vibe, making it an instant fan favorite. With his unique sound and ability to craft catchy, feel-good anthems, Ruger continues to push creative boundaries. Toro isn’t just a song – it’s an experience, designed to keep listeners hooked from the very first note. Add this one to your playlist and let the rhythm take over! Yebo! by Iyanya Bringing even more energy to this week’s playlist is Iyanya with his electrifying new single, Yebo! The Nigerian music sensation, known for his ability to craft infectious, feel-good anthems, delivers yet another hit that’s destined to dominate the airwaves. Yebo! is a high-energy, dance-ready track packed with vibrant melodies, rhythmic beats, and Iyanya’s signature smooth vocals. With its catchy hooks and undeniable groove, this song is a perfect soundtrack for parties, celebrations, and pure Afrobeats vibes. A seasoned hitmaker, Iyanya once again proves his versatility and musical excellence, keeping fans engaged with fresh sounds that make you want to get up and move. If you’re in need of an instant mood booster, Yebo! is a must-add to your playlist this week! FOR YOU by Khaid Next on the playlist is Khaid with his soul-stirring new single, FOR YOU. The Neville Records star continues to impress with his emotive storytelling, heartfelt melodies, and signature smooth vocals, making this track an instant standout. FOR YOU is a deeply captivating song, blending soulful delivery with an immersive instrumental that pulls listeners in from the first note. The lyrics convey raw emotion, showcasing Khaid’s artistic growth and ability to connect with his audience on a personal level. As one of the most promising young stars in Afrobeats, Khaid keeps proving why he’s here to stay. Whether you’re in your feelings or just vibing to good music, FOR YOU is a must-add to your playlist this week! Good Vibes by Didi B & Zinoleesky Bringing a refreshing fusion of Afro-trap and street-hop, Didi B and Zinoleesky join forces for the infectious new anthem, Good Vibes. This high-energy collaboration blends Didi B’s smooth rap delivery with Zinoleesky’s signature vocals, creating an electrifying sound that’s impossible to resist. With its catchy melody, upbeat rhythm, and feel-good energy, Good Vibes is the ultimate track for lifting your mood and setting the tone for a great time. The song highlights Didi B’s growing influence in the African music scene, while Zinoleesky’s distinct style adds an extra layer of flavor, making this one of the standout collaborations of the season. If you’re looking for a track that delivers just what the title promises – good vibes only – then this is the perfect addition to your playlist! Hey Jago by Poco Lee, Shoday & Rahman Jago Renowned Nigerian dancer, hypeman, and singer Poco Lee makes a thrilling return with his highly anticipated new single, Hey Jago. Known for his ability to transform any song into a street anthem, Poco Lee once again showcases his versatility in the music scene. Teaming up with Rahman Jago, a respected figure in the street-hop movement, and Shoday, a rising vocal powerhouse, this track delivers a high-energy blend of pulsating beats, catchy melodies, and raw street vibes. Hey Jago perfectly captures the essence of Afro-street music, ensuring its spot as a must-have on any party playlist. If you’re looking for a certified banger that brings unstoppable energy and street credibility, Hey Jago is the track you need to turn up the vibe! I No Be God by Ladipoe Nigerian rap powerhouse Ladipoe makes a striking return with his much-anticipated single, I No Be God. Renowned for his lyrical depth and storytelling prowess, Ladipoe once again delivers a track that goes beyond just music – it’s an introspective journey. Produced by the exceptionally talented DUKE, I No Be God is a finely crafted masterpiece that blends soulful instrumentals with thought-provoking lyricism. Ladipoe’s smooth flow and reflective message explore themes of self-awareness, human limitations, and the realities of life, making this track not only relatable but deeply impactful. Whether you’re a long-time fan of Ladipoe or just discovering his artistry, I No Be God is a must-listen – a song that inspires, challenges, and resonates long after the beat fades. Flako by Wizard Chan ft. ODUMODUBLVCK Multi-talented songwriter and music producer Wizard Chan returns with an electrifying new track, Flako. Known for his ability to craft soul-stirring melodies, Wizard Chan teams up with the dynamic Odumodublvck, whose signature energy and vocal prowess add an extra layer of intensity to the record. Flako is a powerful fusion of compelling lyrics, infectious rhythms, and raw energy, making it a standout anthem for lovers of Afrobeats and alternative sounds. The chemistry between Wizard Chan and Odumodublvck is undeniable, as they deliver a track that’s both intense and addictive. Whether you’re looking for an energetic banger to boost your playlist or simply craving top-tier artistry, Flako is a must-listen. Let its pulsating beats and captivating vibe take over! NEVER LET YOU GO by Steel Banglez, AP Dhillon & Omah Lay London-based super-producer Steel Banglez delivers an unforgettable cross-cultural masterpiece with NEVER LET YOU GO, featuring the sensational Omah Lay and AP Dhillon. This track seamlessly blends Afrobeats, Punjabi influences, and contemporary global sounds, proving Steel Banglez’s versatility in crafting boundary-pushing music. As a standout from his recently released One Day It Will All Make Sense EP, NEVER LET YOU GO captures the emotional depth of Omah Lay’s soulful vocals and AP Dhillon’s signature melodic flow, creating a beautifully immersive experience. With its smooth production, infectious rhythm, and heartfelt lyrics, this track is a must-have on your playlist. Na Scra by Famous Pluto Breaking into the Nigerian music scene with a bang, Famous Pluto makes an impressive debut with Na Scra. The track has already made waves, debuting at No. 13 on Spotify Nigeria’s Top Songs Chart within its first day, amassing 114,000 streams – a remarkable achievement for a newcomer. Fans have taken to social media to praise Famous Pluto’s sharp lyricism and infectious energy, with many highlighting his ability to deliver powerful bars. To add to the momentum, the official music video dropped just days ago, further fueling the song’s growing popularity. With Na Scra, Famous Pluto is proving he’s more than just Shallipopi’s younger brother – he’s a rising star in his own right. This track is just the beginning of what promises to be an exciting career. Keep an eye on him! Arike by Kunmie Emerging talent Kunmie is making waves with Arike, a soulful and captivating hit that showcases his exceptional artistry. This beautifully crafted track blends smooth melodies with heartfelt emotions, drawing listeners in with its enchanting sound. Arike is more than just a song – it’s an experience. With its rich instrumentation and emotive vocals, Kunmie proves that he’s an artist to watch. Whether you’re in the mood for deep reflection or simply want to enjoy high-quality, vibrant music, this track is a perfect addition to your playlist. WHY LOVE by Asake Asake returns with yet another mesmerizing hit, WHY LOVE, a track that perfectly blends Afrobeats, Amapiano, and Fuji influences into a rhythmic masterpiece. Known for his energetic delivery and unique sound, Asake continues to set the pace in the industry, keeping fans hooked with infectious beats and deeply resonant lyrics. With a growing catalog of chart-topping hits, WHY LOVE is set to dominate playlists and dance floors, proving once again why Asake remains one of Nigeria’s most dynamic and innovative artists. Get ready to vibe to this anthem as he redefines the sound of modern Afrobeats! SHAOLIN  by Seyi Vibez Afrobeats sensation Seyi Vibez extends his winning streak with SHAOLIN, a standout track from his newly released EP, Children of Africa. This electrifying record blends street-hop vibes with rich cultural influences, highlighting Seyi Vibez’s signature melodic delivery and introspective lyricism. With hypnotic beats and an infectious flow, SHAOLIN is more than just a song – it’s an anthem set to take over playlists and dance floors. This release further cements Seyi Vibez’s influence in the industry, proving once again why he’s one of the most versatile and impactful artists in Nigeria today. Now streaming everywhere – add it to your playlist and feel the energy! Laho by Shallipopi Nigerian street-pop sensation Shallipopi has once again proven why he’s one of the hottest names in the industry with his surprise release, Laho. The song, which has been making serious waves across TikTok and social media, is finally available in full, much to the excitement of his growing fanbase. With his signature melodic street-hop sound, Shallipopi delivers infectious flows, witty lyrics, and a pulsating beat that makes Laho an instant club and street anthem. His ability to blend street lingo with catchy hooks ensures the song’s appeal across different audiences, from die-hard fans of street-pop to casual Afrobeats lovers. Laho is more than just a viral sensation – it’s a testament to Shallipopi’s unstoppable rise in the Nigerian music scene. Whether you’re vibing solo, turning up at a party, or just looking for a song to get you in a good mood, Laho is guaranteed to deliver. W For Wetego by Blaqbonez ft. Young Jonn & Phyno Renowned Nigerian rapper and Chocolate City Music signee, Blaqbonez, is back with another major hit! His latest single, W For Wetego, sees him teaming up with hitmaker Young Jonn and legendary rapper Phyno, delivering an electrifying track that’s already making waves. With high-energy beats, smooth flows, and top-tier production, W For Wetego is an undeniable banger. The track blends Blaqbonez’s lyrical prowess, Young Jonn’s melodic hooks, and Phyno’s distinct rap style, creating a dynamic and addictive tune that’s built for repeat listens. Whether you’re a fan of hard-hitting rap verses, infectious Afrobeats melodies, or just great music in general, W For Wetego is a must-add to your playlist. This collaboration perfectly showcases the evolving sound of Nigerian music, merging different elements into one unstoppable hit. Now streaming on all major platforms – listen, download, and let the rhythm take over! Read More: The Role of Streaming Platforms in Promoting African Music Globally in 2025 Tags: AfrobeatsAP DhillonAsakeBlaqBonezFamous PlutoFolaIyanyaKhaidKunmieLadiPoenigeriaODUMODUBLVCKOmah LayPhynoPoco LeeRahman JagoRugerSeyi VibezShallipopiShodaySteel BanglezWizard ChanYoung JonnZlatan