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Hear Doves Adventurous New Song Cathedrals Of The Mind
~1.3 mins read
Reunited U.K. trio Doves will end their decade-long wait between albums next month with the release of The Universal Want. Following the band’s comeback singles “Carousels” and “Prisoners,” Rolling Stone is exclusively premiering the third preview at their upcoming LP, “Cathedrals of the Mind.”
“We were interested in using the lyrical metaphor as a kind of vast expanse of the mind, in which thoughts and memories get trapped or locked into being forever,” Doves’ Jez Williams tells Rolling Stone. “Somewhere in the maze, there is a way out, but how to find it? Also, the track started with a really good, blissed out groove!”
Despite coming 11 years after the band’s 2009 LP Kingdom of Rust, “Cathedrals of the Mind” finds Doves at their most adventurous, utilizing dub, ambient, and spoken word alongside their own distinct sound heard on Y2K epics like  â€œLost Souls” and “Sea Song.” While other reuniting bands might be satisfied simply recapturing their old sound, Doves opted instead to push their music forward.

“It was important, as it has been and will be for Doves. We’re always looking under rocks to see what’s there,” Williams said. “Can we walk through that door? Does this sound reflect what’s now and who we are? How will it make other people feel, to be made to care?”

Even prior to Doves’ formal reunion in early 2019, the trio — brothers Jez and Andy Williams and Jimi Goodwin — had already begun working on new music; the roots of “Cathedrals of the Mind” date back to the band’s 2017 visit to the Welsh island of Anglesey, where the music and hook were crafted.
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Moses Sumney Releases Abstract At-Home Performance Of Bless Me
~1.6 mins read
Moses Sumney has released a live performance video for his song “Bless Me,” filmed at his home studio in Asheville, North Carolina, and merged with abstract 3D animation using Microsoft Azure Kinect.

Sumney originally planned to create a museum installation using the Kinect software before the pandemic. With the onset of Covid-19, the piece transformed into “an experiential piece exploring isolation and solitude,” Sumney says, transforming the performance into a commentary on the global pandemic.

Sam Cannon, one of Sumney’s frequent collaborators, worked with the artist to create the digital performance video. While social distancing, Cannon directed Sumney’s physical actions via Skype, and his movements were captured via Azure Kinect, the sensors tracking him in real time with AI-powered Body Tracking SDK. The final image renders these sensors as tiny dots over Sumney’s body, with an RGB camera adding depth and texture.
“Bless Me” comes off of Sumney’s second studio album, the two-part Græ, which was released on February 21st and May 15th. It follows his debut LP Aromanticism and the subsequent EP Black in Deep Red, 2014. Along with “Bless Me,” Grae includes the previous singles “Cut Me,” “Virile,” “Polly” and “Conveyor,” and was recorded at his home in Asheville.

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