dataDp/9958.jpeg

P7as2

Kya Hoti Hai Yeh Maggi? How This Deshbhakt Thelawala Rant Made The Internet Laugh

A simple street-side noodle vendor, now known as Deshbhakt Thelawala, has become an internet sensation. In a video that’s gone viral, a customer walks up and asks for Maggi, the famous instant noodles. But instead of serving Maggi, the vendor gives a fiery reply: “Kya hoti hai yeh Maggi? Yeh videshi companies ka naam mere saamne mat liya karo. Inka samaan khaa khaa ke unko faayda pahuchaate ho.” He refuses to sell Maggi and tells the customer not to even mention foreign brands in front of him. He believes that eating these products only helps foreign companies, not India. People online loved this bold stand. Social media was soon filled with memes and funny comments, such as: But it wasn’t just jokes. Many people respected the vendor’s message: The vendor proudly sells Tom Tom Noodles, an Indian brand. His message is clear: if you want noodles, choose ones made in India.  In a world full of big global brands, this vendor’s passion for Indian products is a reminder that supporting local businesses can make a difference. For him, “swadeshi” (supporting Indian-made goods) is not just a slogan… it’s a way of life. Deshbhakt Thelawala has shown that anyone can stand up for what they believe in, even from a small street stall. Next time you’re hungry for noodles, maybe you’ll try a packet of Tom Tom and support a local hero’s dream.

dataDp/1032.jpeg

Worldnews

Russia-Ukraine War: List Of Key Events, Day 1,231

Here are the key events on day 1,231 of Russia’s war on Ukraine. Here is how things stand on Wednesday, July 9: Follow Al Jazeera English:...

dataDp/9958.jpeg

P7as2

The Lonely End Of Fame: Pakistani Actress Humaira Asghar Ali Found Dead 9 Months After Passing

In a haunting tale of isolation, neglect, and the brutal silence that often surrounds lives lived in the spotlight, the tragic story of Pakistani actress and model Humaira Asghar Ali has shaken Karachi and beyond. Her remains had decomposed in her flat in the upscale Ittehad Commercial area for nearly nine months since she had passed away, leaving all of us with more questions than solutions. What had been a dazzling life full of glitz and glamour was now reduced to a tragic hollowness—no callers, no calls, and no one to pick up her body. The situation only came to light when a court officer broke into her rented apartment to serve her with an eviction notice. The atmosphere that the officer walked into was reminiscent of a dark thriller. Inside the apartment, police found Humaira’s highly decomposed body, spoiled food, rusty containers, dry water pipes, and an open balcony door—tedious but powerful indications that no one had been in the house for months. Officials now estimate Humaira died in October 2024, despite her body being found in July 2025. Initially, doctors approximated her death a month ago. But upon examining her online activity and call detail records (CDR), officials found a different timeline. According to Deputy Inspector General Syed Asad Raza, Humaira’s last recorded phone call was in October 2024. Her final Facebook post was on September 11, and her last Instagram update was on September 30, further solidifying the belief that her death occurred shortly thereafter. Neighbors confirmed they hadn’t seen her since late September or early October. When police and forensic teams examined the apartment, they encountered a chilling stillness. There were no signs of foul play, yet the setting was starkly lifeless—no candles, no backup power, and no effort made to keep the space livable once utilities were cut off. The only neighboring apartment on the same floor was unoccupied until February, and by the time the new tenants moved in, any odor from the decomposing body had long since dissipated. One investigator described the scene with unsettling clarity: “She probably died between paying her last utility bills and when her electricity was disconnected in October 2024.” What makes Humaira’s story even more disturbing is the lack of anyone noticing her absence. She died alone, and no one—friends, family, or fans—raised an alarm. It was only when legal action for eviction was initiated that anyone thought to check in. Adding another layer of tragedy, her family reportedly refused to take her body, claiming they had severed all ties with her two years ago. “They flatly refused to own her or take the body for burial,” DIG Asad Raza said, highlighting the painful reality of estrangement in her final years. Sadly, Humaira’s case isn’t unique. Just weeks earlier, the body of 84-year-old actress Ayesha Khan was found in a similar state in her Karachi residence. Ayesha, too, had been living alone. These back-to-back cases have triggered a nationwide conversation around the isolation of senior citizens, especially those from the entertainment industry. Both women once held public attention, graced screens, and had fan followings. Yet, in their final moments and the months that followed, they were utterly alone. Humaira Asghar Ali lived a career of a few television dramas and two films. Though not widely known, she was recognized by many who watched Pakistani entertainment. On social media, her life appeared to reveal a woman who was vivacious and had hopes, interacting with her fans, uploading fashion shoots, and giving peeks at work. But below the surface, maybe, was the crushing weight of fame in solitude and a history that gradually herded her off.  The reason for Humaira’s death remains undetermined. There has been no elimination of suicide, accident, or homicide by investigators, although no immediate signs of violence were discovered. Forensic tests are still being conducted, trying to get together on exactly what happened in that tranquil flat in those final days. But one thing is painfully clear: Humaira had been away much longer than people knew. Humaira’s story has to be more than just another sad headline. It’s a sobering reminder of the psychological, emotional, and social isolation that can befall anyone, status or fame notwithstanding. The entertainment world, criticized in the past for glorifying triumph and its fallen stars, needs to take a serious look at how it nurtures its folk behind the camera. And as a culture, maybe it’s time we ask ourselves: Are we really checking in on the people around us? Behind every bright screen personality may be a life quietly fading into the dark. And before the world realizes, it may be much too late.