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Ramayana: An Epic Cinematic Saga Starts With Logo Release On July 3

Bollywood’s grander version of the epic Ramayana is finally ready to take center stage. Directed by the acclaimed director Nitesh Tiwari and featuring a top-class cast that includes Ranbir Kapoor, Yash, and Sai Pallavi, the magnum opus has created a huge buzz all over the country. The makers are now all set to take the first big step in the film’s promotional journey by unveiling its official logo on July 3, marking a significant milestone for the project. While the audience has been eagerly waiting for a glimpse into the world of Ramayana, they will have to wait a bit longer for the teaser, even though it’s already completed. Let’s dive deeper into the film, everything we know thus far, and why this project is one of the most eagerly anticipated cinematic spectacles of the decade. The Ramayana is one of India’s most sacred and enduring epics, the story of Lord Rama, his wife Sita, his brother Lakshman, and the demigod Hanuman as they battle the monstrous demon king Ravana in order to maintain dharma. This classic legend of duty, sacrifice, love, and courage has been reenacted for millennia, and now, it is being reimagined on an unprecedented scale. With Ramayana, Nitesh Tiwari wants to combine tradition with modern cinematic technology to bring the old tale to life for new generations. Speaking at the WAVES Summit 2025, producer Namit Malhotra highlighted the film’s vision: “This is a story from India for the world. We want to retain the authenticity of our culture, characters, and values while using advanced technology to present it with global standards.” According to sources close to the production, the official logo of Ramayana will be revealed digitally on July 3, serving as the film’s first formal announcement. This logo launch will also reaffirm the film’s two-part release schedule: Part One releasing in Diwali 2026 and Part Two following in Diwali 2027. Fans will be thrilled to know that a three-minute teaser, featuring Ranbir Kapoor and Sai Pallavi, has already been cut and finalized. But the creators have decided to hold back on its release, waiting for a more strategically appropriate moment. With 18 months yet to go before the release of the film, the crew is busy creating the right momentum at the right time, as opposed to jumping into marketing too quickly. Ramayana’s casting is just legendary. Ranbir Kapoor will essay Lord Rama and bring the sophistication of the Ayodhya prince with his sensitive acting skills. He will be joined by expressive and elegant Sai Pallavi, who will essay Goddess Sita and bring an emotional maturity to the story’s heart. In supporting roles, Ravi Dubey will be Lakshman, the dutiful brother of Rama, and Yash, who is known for his intense performances, will play Ravana, the strong and complex villain. While Sunny Deol, with his authoritative presence, will play Lord Hanuman, bringing strength and veneration to the great vanara warrior. This cast has generated only more buzz, as fans are awaiting with anticipation how these beloved actors will translate mythological figures to the big screen. Something more than another mythical movie, Ramayana is being imagined as a cultural landmark. Malhotra and Tiwari are working together to turn the film into a world celebration of Indian heritage. This involves employing the best VFX in the world, practical sets, and real costumes to develop a visually pleasing and emotionally strong experience for international audiences. The intention is obvious: to present an authentic Indian story on a global platform but remain rooted in its own traditions. The producers are reportedly also working with leading international technicians and studios to bring the visual narration of the film up to international standards. While viewers will not get to see the epic saga on screen until Diwali 2026, excitement is already at an all-time high. The July 3 digital logo launch is sure to be a major press announcement, not just revealing that the movie exists but starting a lengthy and targeted marketing campaign. With the teaser ready and the groundwork being laid with care, Ramayana promises to be much more than a film; it aims to become a cinematic experience that bridges generations, geographies, and genres. As the countdown to July 3 begins, one thing is certain: a grand cinematic journey is about to begin, one that seeks to bring India’s oldest epic to the heart of the modern world.

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In Gaza, The Israelis Are Staging Hunger Games

Aid distribution sites in Gaza have turned into dystopian killing fields. And yet the world continues to turn a blind eye. When The Hunger Games books came out in the late 2000s to much acclaim, probably few readers expected scenes from these dystopian novels would take place in the world they live in. But they now do – here in Gaza, every day. We have been suffering under a full Israeli blockade since the beginning of March. Starvation has spread over the entire strip. Most families have just one meal per day. Some do not eat at all for days. In late May, the United States- and Israeli-backed Gaza Humanitarian Foundation (GHF) began limited aid deliveries to the strip. Since then, Palestinians have been forced into a deadly game to secure some food. None of my family members has dared go to a GHF aid distribution point, but some of my neighbours and friends have. All I have heard from them are horror stories. The first time we heard about the aid zone that the Israelis call the “Netzarim Corridor”, we imagined there would be tents, queues, order. But those who risked going there found only chaos and death. The aid distribution takes place in a fenced area near Salah al-Din Street, close to the eastern edge of Gaza – in a zone so dangerous, locals call it the death corridor.  It is surrounded by sand and guarded by foreign military contractors. There are Israeli tanks and soldiers stationed nearby. There is no clear schedule for the aid deliveries. Sometimes, the GHF opens the gates at 4am and sometimes later. Palestinians wait starting at sunset the night before. When the gates finally open, the crowd floods in. There are no queues, no staff, no signs. Just noise, dust and fear. Overhead, drones circle like vultures. Then, a voice from a loudspeaker shouts: “Four minutes! Take what you can!” Food boxes are left in the middle of the sand, but there is not enough of them. They are never enough. People rush towards the pile, shoving and climbing over each other. They push each other. Knives come out. Fistfights erupt. Children scream. Men fall. Women crawl through the sand. Few people are the lucky ones who are able to grab a box and hold onto it. Then gunfire starts. The sandy square becomes a killing field. People run for their lives. Many get hit. Some manage to crawl out with injuries. Others are carried by friends or relatives or even strangers. Others bleed alone into the sand. Since the end of May, more than 500 Palestinians have been killed when the Israeli army has opened indiscriminate fire on people gathered to try to get aid. More than 4,000 have been wounded. Subhi, the father of my friend Nour, was one of them. The family had no food left, so he felt compelled to risk his life to get some aid. On the morning of June 14, he left for the aid hub in Netzarim. He never came back. Nour told me how they waited by the door. Hours passed. No word. No call. The internet was cut. The silence was unbearable. Then suddenly, they heard the sound of shooting in the distance. They immediately knew something had gone wrong, but they had no way to reach him. Later, paramedics found his body. He was killed while trying to carry a bag of food home to his children. Another friend, Hala, told me the story of another victim of the GHF death trap, Khamis, the brother-in-law of her sister. He had been married for just two years and had no children yet, but he carried the weight of an entire household on his back. He had started taking care of his brother’s children after he was killed earlier in the war. When their food ran out, Khamis’s friends managed to convince him to go with them to try to pick up some aid. On the morning of June 24, they were waiting near the aid hub when someone shouted: “They’ve opened the gates!” Khamis stepped out of their hiding place – just slightly – to see for himself. A bullet from an Israeli quadcopter pierced his shoulder, then lodged in his heart, killing him. He left behind a grieving widow and hungry nieces and nephews. There are countless other stories – just as painful, just as heartbreaking – that will never be known. Gaza’s Ministry of Health has called these incidents “aid massacres”. Legal experts have called them war crimes. But they really are “hunger games”. Hunger changes people. It doesn’t just weaken the body – it tests the soul. It undermines trust and solidarity between people and unleashes the most basic of instincts. The occupier knows that, and it is weaponising it. It is no coincidence it viciously attacked and banned the United Nations agency for Palestinian refugees, UNRWA. UNRWA’s aid distribution system was a model of organisation and fairness. Each family registered with the agency had an identification card with which it could receive aid distributed through a careful, transparent process. Priority was given to the most vulnerable – widows, orphans, the elderly and disabled people – ensuring that those who need help the most received it first. Its system reduced the risk of deadly stampedes and violent clashes because there was order, dignity and respect for human life. The occupier does not want any of that. That is why it designed aid distribution in the form of “hunger games”. These are orchestrated traps designed to cause chaos and disorder so Palestinians fight each other and the social order and solidarity that hold Palestinian society together break down. For a month, Israel and the GHF denied that there were any mass killings happening at the aid hubs – another Israeli lie that was widely believed. Now, the Israeli media themselves have reported that Israeli soldiers were ordered to shoot at the crowds of Palestinians trying to get aid at the GHF hubs. Will the world believe us now? Will it take action? What is happening in Gaza is not fiction. It is not a horror movie. The “hunger games” are real and so is the genocide they are part of. That the world is allowing such dystopia to unfold is damning evidence of its own loss of humanity. The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance. Follow Al Jazeera English:...